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Juliet Turner
Lets Hear it for Pizza
Lets Hear it for Pizza - £12.99

GUMCD34 

Juliet's magnificent debut album recorded in two days in 1996. The first demonstration of her songwriting gift, this collection captures an outpouring of raw talent and universal insight. 

"Nothing about her sounds out of date because she writes with excrutiating honesty....a sensitvity to lyrical diction and a poetic turn of phrase....well tuned irony and humorous self-deprecation put the icing on the cake." Hot Press

Released: August 1996 

Producer/Engineer: Steve Butler, Dot Reid, Charlie Irvine 

Musicians
Juliet Turner (vocals, guitar)
Dot Reid (keyboards)
Charlie Irvine (guitars)
Iain Archer (guitars)
Steve Butler (bass, percussion) 

Titles
01 Dr Fell
02 Greedy Mouth
03 Pizza and Wine
04 Beyond the Backyard
05 Short Loan Only
06 Edward
07 Indian Summer
08 Glory to the Ground
09 Too Close For Comfort
10 Purely Platonic
Downloads
Track Title Price
Greedy Mouth [3:39]  £1.00
Pizza and Wine [3:34]  £1.00



Reviews
The Phantom Tollbooth

A few years ago Sticky Music released albums by a young singer/songwriter from Northern Ireland by the name of Iain Archer - and Iain has gone on to become a firm favourite at a number of festivals, especially Greenbelt. Now we are introduced to Juliet Turner, also from Northern Ireland, also on Sticky Music, and also likely to become a firm favourite with a similar group.

This album is made up of acoustic guitar-based songs; while the vocals and a lot of the guitar work is from Juliet Turner, the members of Lies Damned Lies provide backup with electric guitars, percussion, and keyboards, and Iain Archer adds some of his guitar expertise. The songs are well-written, and deal mostly with love lost and found, alongside a number of other issues (a couple of tracks seem to deal with abusive relationships and their aftermath). The unusual imagery of "Short Loan Only" particularly appealed to me: 

I have no breath left,
perhaps I'm drowning,
for sure there are a lot of tears,
but I'm not crying.
Funny that, being dead,
I might weep for love but only in my head.
 

Musically this album is relaxing, and appropriate for the lyrics, but I would have liked to hear less electric backing and more of the excellent acoustic guitar. There is definite room for improvement, but Juliet Turner is a singer-songwriter to watch, and promises many more good albums to come.

James Stewart
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